Articles 49–96 of 110, newest first.
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A freshers cap order is decided by the approval chain, not the factory. Start in July and the September arrival looks after itself.
January intake, November order. The awkward part is not production, it is that December contains far fewer usable working days than it looks like it does.
Summer event caps have to be ordered while it is still cold. Here is the lead time arithmetic, the build that survives a field, and the quantity call.
A leavers cap order runs on a school calendar, not a factory one. Start in spring and the last term takes care of itself.
Merch that arrives on date four has missed a quarter of the tour. Here is how to time a cap run, and why caps outperform tees at a merch table.
Stand kit that arrives the day before is kit nobody has checked. Here is how to time a trade show cap order and how to split staff from giveaways.
GSM tells you about the cloth, not about the cap. On headwear the construction does half the work the number gets credited for.
Caps have fits, not sizes, on most builds. The decisions are crown height, profile and closure, and each one changes who the cap suits.
A Pantone is a printing reference, not a dye recipe. Here is how close a cap crown gets, and what to sign off before a run begins.
A cap gives you a small, curved, seamed canvas. Here is where artwork sits well, how big it can go, and which positions cost extra.
Most caps are ruined by heat, not dirt. Here is what cleaning a cap actually involves, and what the label on it has to say.
A cap has no neck, so the label lives in the sweatband. Here is what can go there, and what a full private label package covers.
Caps arrive bagged, cartoned and stacked. Knowing the structure before the pallet lands is what makes counting it a short job rather than a day.
Ten minutes with a handful of caps from different cartons tells you almost everything. Here is exactly what to look at and what to ignore.
A first cap order has six stages and only one of them is manufacturing. Here is what happens at each, and where first-time buyers lose time.
A vague brief produces a vague quote and a second round of questions. Here is the information that makes a first quote a firm one.
A cap quote splits into the blank, the decoration, the one-off setup and delivery. Here is how to read each part and spot what has been left out.
Fifty caps at £12 is the starting line, not the total. Here is every cost that lands on a bulk cap order and roughly when each one arrives.
Caps land well at retail because the wholesale entry price is low and the size problem is small. Here is how to build a retail price that holds.
Most of the work in a team cap order happens after it arrives. Here is how to plan the handout so the boxes do not sit in a cupboard for a month.
Event caps start at £12 a piece at the fifty-piece minimum. Here is how the price moves as the run grows, and what else lands on the invoice.
Production is 10 to 15 working days from artwork approval. For an event, the date you need to work backwards from is the approval, not the enquiry.
Adjustable caps remove most of the sizing problem at an event. Here is how to plan the split anyway, and what to do with what is left over.
The cap front is small and often curved, which rules out more artwork than people expect. Here is how to pick the decoration before you design for it.
A sample costs £150 and is credited against the bulk order. For an event, the question is whether the calendar has room for it.
A repeat cap order skips the artwork stage entirely. The things that make it easy are all decisions you take on the first run.
Caps carry one of the better margins on a merch table because the entry price is low and nothing goes unsold for being the wrong size.
Production is 10 to 15 working days from artwork approval. On a tour that means the merch decision happens in rehearsals, not on the road.
A cap is the one merch item with no size problem. That changes what you order, what sells out and what comes home in the van.
A band logo drawn for an album cover rarely survives being shrunk to a cap front. Here is how to choose the method before the artwork is final.
A sample turns every guess about a cap into a fact for £150, credited back against the bulk order. The cost is the calendar, not the money.
A repeat cap run skips the artwork stage entirely. Whether that is available to you was decided when you designed the first one.
Caps enter at £12 a piece at the fifty-piece minimum. Which tier you buy in decides whether the line carries a thin margin or a comfortable one.
Production runs 10 to 15 working days from artwork approval. For a retailer the number that matters is when you reorder, not how fast we build.
The size curve is where most apparel buys go wrong. Caps largely remove it, which changes how deep a retailer can safely buy.
Embroidery reads as a product and print reads as a promotion. On a shelf that difference shows up in the price you can ask.
The £150 cap sample is the cheapest way for a reseller to test a blank, a brim and a stitch before fifty pieces land in the stockroom.
A repeat cap order is quicker than the first, but the panel colour and the thread are where two runs drift apart. Here is how to hold them steady.
Caps start from £12 a piece at the fifty minimum. Here is how an agency should build the number it puts in front of a client.
Campaign dates do not move, so the schedule has to. A working timeline for agencies ordering caps against a launch.
Caps dodge most of the sizing problem, but a campaign can still end with a box nobody opens. Here is where the split actually matters.
A cap front is a small, curved, structured panel. Not every decoration method belongs on it, and the artwork usually decides for you.
A client who has held the cap does not send comments in week three. What the £150 sample buys an agency, and how to use it properly.
A campaign that works gets asked for again. Here is what a second run of caps needs, and what an agency should keep on file between them.
Beanies are the cheapest premium-feeling merch item you can order. Here is how to spec one that sells rather than sits in a box.
Caps are a high-margin, one-size-friendly add-on that finish any range. Here is how to choose the right style, fit and branding for custom baseball caps.
Caps turn customers into walking billboards. Here is the full guide to styles, embroidery and wholesale headwear for the UK, USA and Europe.
Each cap silhouette sends a different signal. This guide compares snapback, dad cap, trucker, 5-panel and fitted caps so you can match the right style to your brand and decoration plan.
