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Print red straight onto black and you get maroon. The underbase is how printers stop the garment eating the colour.
The question is not whether a machine can print on your garments. It is who pays when one comes off the press ruined.
The setup fee is not padding. It is the cost of making a physical tool that fits your artwork and nobody else's.
One prints your artwork; the other cuts a coloured sheet into the shape of it. That single difference decides almost everything else.
Most print damage happens in the wash, not on the press. Here are clear, ready-to-share care instructions that keep your customers’ printed garments looking new.
Nobody remembers who paid for the kit. Everybody remembers whose name was spelt wrong.
Polyester does not reject ink. It refuses to be treated like cotton, and it punishes anyone who tries.
Embroidery almost never wears out on its own. It gets ironed flat, boiled, or softened into dullness by the people who paid for it.
Cracking is almost never bad luck. It is an ink layer that was never fully cured, or a tumble dryer doing what tumble dryers do.
Nothing turns heads like a clean metallic shine. Here’s how foil and metallic printing work, the difference between them, and how to design and care for them right.
Printing on black is easy. Getting the same colour to look identical on black and on white is the part that needs a conversation.
Anyone who quotes you a price for custom clothing without asking four questions first is guessing.
The production clock does not start when you pay. It starts when you approve the proof, and that gap is where most orders lose a week.
Adding a colour should change the design, not just the file. Most merch loses more to a muddy four-colour print than it ever gains from the extra inks.
Screen print, DTF, embroidery or sublimation? The best method depends on your design, fabric and quantity. Here’s how to match the technique to the job.
Sublimation changes the fabric itself. DTF adds a layer on top of it. Nearly every difference between the two comes from that one distinction.
White ink is the invisible line item on every dark garment, and it changes both what you pay and what your colours end up looking like.
The press is the cheap part. The expensive part is the two hundred blanks you ruin learning to use it, and the fact that you are now the bottleneck.
Discharge printing doesn’t add ink on top — it removes the shirt’s dye and replaces it. The result is the softest, most vintage feel in screen printing. Here’s how it works.
One is priced by colours, the other by stitches. Get that backwards and your quote will surprise you in the worst way.
Cracked prints, faded colours, blurry edges — most print defects have a clear cause and a clear fix. Here’s how to diagnose and prevent the most common ones.
Both are screen printing inks, but they behave completely differently on the shirt. Here’s an honest, practical comparison to help you pick the right one for your brand.
Sublimation dyes the fabric itself, so the print never cracks and never adds weight. Here’s how it works, what it can and can’t do, and where it beats every other method.
A city that once shirted half the world now writes software, and both trades left the same lesson about spec sheets and sizing.
Between the Menai Strait and the slate mountains, Bangor kits out people who get wet, cold and abraded for a living. Cotton is rarely the answer.
Why does your brand red look different on a hoodie than on a business card? Here’s how Pantone, spot colours and fabric all interact — and how to keep colour consistent.
Paisley gave its name to one of the most reproduced patterns on earth, which makes it a useful place to explain why some designs cost a fortune to screen print.
Dundee builds video games and drug-discovery science in the same postcode, and the two order apparel in completely different ways.
Visitors do not buy your logo. They buy the place, and independents usually learn that the expensive way.
Sublimation is permanent in every sense, which is why rugby league clubs use it and why squad numbers catch them out.
Embroidery isn’t printed — it’s stitched, and the quality lives in the digitizing. Here’s what digitizing actually is, why it matters and how to brief it well.
Oldham orders split between manufacturing uniform and community kit, and each has a different failure mode.
Stockport's independent revival means a lot of small, frequent orders — and small runs reward a different method.
Wigan's sporting culture and its distribution base produce two steady, very different streams of orders.
Salford's media cluster orders crew kit on production schedules, which are tighter than almost any other deadline.
Colchester mixes a large student population with garrison-town services and North Essex trade businesses.
Gloucester runs on rugby and engineering, and both order kit that has to last a full season of punishment.
Swindon's mix of engineering, distribution and corporate offices means three different specifications from one town.
A town built on cloth still knows the difference between a good blank and a cheap one. Specify accordingly.
Screen printing still rules custom apparel for a reason. Here’s the full process, stage by stage, so you know exactly what happens between your artwork and a finished garment.
Bad files cause most print delays. Here’s exactly how to set up resolution, vectors, colour modes, fonts and exports so your artwork prints clean the first time.
Exeter combines a large student population with deep rural Devon, and the two order on completely different clocks.
Ipswich mixes port logistics with deep rural Suffolk, and the two order for quite different conditions.
Preston sits at the centre of a county that still makes things, and that shows in what gets ordered.
Oxford orders in a rhythm nowhere else quite shares: eight-week terms, and a hundred societies all ordering at once.
A seasonal economy means seasonal ordering, and seasonal ordering fails when it is left until the season starts.
Bolton orders sit between trade workwear and community sport, and the two need opposite specifications.
Norwich has an unusually strong independent scene, and independents order differently to corporates.
