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Printing 13 December 2027 7 min read

What Is the Cheapest Way to Brand Clothing?

By The Velocity Wear Team

At volume, a single-colour screen print on a modest garment is usually the cheapest per piece, because the setup cost gets spread thinner with every garment that follows it. At low quantities it is often not the cheapest in total, since DTF carries no per-colour setup at all. Cheapest per piece and cheapest overall are two different questions, and the answer flips somewhere between them.

Why Screen Printing Wins Once the Run Is Long

Screen printing front-loads its cost. Each colour needs its own screen prepared and aligned, and that work happens once whether you print twenty garments or five hundred. After that, the marginal cost of another pull is small. That shape is why screen printing has been the default for volume apparel for decades: the more you print, the more irrelevant the setup becomes as a share of the bill.

Why It Loses at Twenty Pieces

Run the same logic backwards and the problem is obvious. At the minimum order, setup is a large proportion of a small total, and multiplying it by three colours makes it worse. A detailed three-colour design on a twenty-piece run is the classic way to end up with an expensive job that felt like it should have been cheap. There is nothing wrong with the method. It is simply being asked to do the thing it is worst at.

Where DTF Takes Over

DTF prints the artwork as a single transfer regardless of how many colours are in it, so a photographic design costs the same to set up as a one-colour one, which is to say nothing. On short runs and multi-colour artwork it routinely beats screen printing on total cost, and it works across cotton, blends and polyester, which matters if your order mixes fabrics. It does not overtake screen printing per piece once volumes climb, but a lot of orders never reach the crossover point.

The Lever Everyone Ignores

People agonise over the decoration and accept whatever garment was suggested, when the blank is usually the bigger number. The gap between a thin promotional tee and a substantial one is real money per piece, and the gap between a 280 GSM hoodie and a 350 GSM one is larger still. If you genuinely need the cost down, the honest conversation starts with the garment, not the ink. The corollary is worth saying out loud: printing an expensive hoodie costs the same as printing a cheap one, so if the budget is tight, cut the blank deliberately rather than mangling the design.

  • Drop to one ink colour, or redraw the design so it works in one, which removes a setup permanently rather than once.
  • Print one position instead of two, since a second placement is a second pass through the press.
  • Consolidate separate team or departmental orders into a single run to reach a better discount band.
  • Choose a lighter garment colour where possible, because dark garments need a white underbase that light ones do not.
  • Be honest about the blank: a lighter-weight garment saves more than shaving the print, if the use case allows it.

Embroidery Plays by Different Rules

Embroidery is priced on stitch count rather than colours, which surprises people who assume stitching is always the premium option. A small, simple left-chest logo on a polo can be quite competitive, and it will outlast a print on a garment that gets washed constantly. Where it becomes expensive is dense fills, large sizes and complicated detail, which is another reason a simplified logo variant pays for itself. For workwear that has to look the same in eighteen months, the maths often favours embroidery even though the headline sounds higher.

"Ask which method is cheaper and you will get an answer. Ask cheaper per piece or cheaper in total and you will get the right one."

Cheap Now, Expensive Later

Two false economies come up repeatedly. The first is a garment that fails early, which turns one purchase into two and wastes the decoration cost you already paid. The second is splitting a requirement into several small orders, which pays setup more than once, adds deliveries, and risks a shade difference between batches because fabric is dyed in lots. If you know you will need a hundred pieces this year, buying a hundred once is nearly always the cheaper answer than buying twenty five times.

Work It Out Rather Than Guessing

The crossover between methods depends on your specific design, garment and quantity, so the reliable move is to price it rather than reason about it. The free instant price calculator updates live as you change garment, method and quantity, which makes the comparison a two-minute job. The minimum is twenty pieces per order with sizes mixed freely, and bulk discounts reach up to around 40% as quantities rise, so it is also worth checking what one more step up in quantity does before you settle.

FAQ

Quick Answers

Common questions about printing — answered.

Only at volume. Its setup cost is charged per colour and happens once regardless of run length, so it becomes cheaper per piece the more you print. On a twenty-piece run with a multi-colour design, DTF often works out cheaper in total because it has no per-colour setup.

No. The decoration cost is driven by the design, method and number of positions, not by the price of the blank. That is why the garment choice, rather than the print, is usually the bigger lever on a tight budget.

Dark garments generally need a white underbase so the colours above it read properly, which is effectively an additional layer of work. Choosing a lighter garment colour, where the design allows, can reduce the cost.

Usually a DTF print, because there is no per-colour setup to absorb across a short run, and it works on cotton, blends and polyester. A single-colour screen print can still compete if the design is simple, so it is worth pricing both in the calculator.

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